How Olga Boznanska Builds Form in her Paintings | Analysis of Portrait of a Woman (1914-16) | The Cave of Apelles

In this Masterclass, Jan-Ove Tuv analyzes Olga Boznanska’s Portrait of a Woman (1914-16).

Watch the full video (link below) and you will learn about:
• Making connections between the different parts of a painting
• Mastering warm against cool colors
• A case for extremely bright shadows
• Hiding central parts in plain sight
• Using warm colors instead of white to achieve light
• Strokes crossing the line! (transitions united by color)
• Setting up “wedges” to support the notion of a line
• Separating forms by the direction of the strokes

▶️ Full video: https://patreon.com/caveofapelles
🎵 Full audio: http://caveofapelles.com/podcast

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  • Apelles was asked why he touched and retouched his pictures with so much care, to which he replied:
    "I paint for eternity"