Storytelling | The Cave of Apelles
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Storytelling
The Power of Myths, Joseph Campbell, Inuit stories, Parsifal and the Grail
You cannot lie about having read Mary Shelley’s Frankenstein’s Monster
Ep 25 — Aftur Nerdrum on Staging her Father’s Play “The Last
Blake Snyder’s Save the Cat! — How to Tell a Great Story
A Dark Flame for Aristotle’s Poetics — Painters, pay attention!
Ep 24 — Ranking the Greatest Living Painters According to Objective Criteria
Ep 22 — Toxic Femininity and Hidden Mythical Motifs in Henrik Ibsen’s
Ep 19 — Exposing the Secrets of Great Storytelling with Kristofer Hivju
Ep 16 — Nic Thurman on the Memorosa Group, Edvard Munch’s Decline
Ep 13 — Sebastian Salvo on Composition, the Early Renaissance and the
Ep 11 – Joakim Ericsson on the Florence Academy, Odd Nerdrum, and
Ep 8 – William Heimdal’s Journey from Donald Duck & Don Rosa
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The Power of Myths, Joseph Campbell, Inuit stories, Parsifal
This is a 10 minute preview of an episode from the Dark Flame series.
You cannot lie about having read Mary Shelley’s Frankenstein’s
What are the mythical dimensions of Mary Shelley’s Frankenstein’s Monster, and what inspired her
Ep 25 — Aftur Nerdrum on Staging her Father’s
Aftur Nerdrum joins us to explain the process of staging her father’s play, where
Blake Snyder’s Save the Cat! — How to Tell
How can painters use Aristotle’s Poetics to become better at their craft, or more
A Dark Flame for Aristotle’s Poetics — Painters, pay
How can painters use Aristotle’s Poetics to become better at their craft, or more
Ep 24 — Ranking the Greatest Living Painters According
Bork Nerdrum, our own producer, appears on The Cave to reveal his ranking list
Ep 22 — Toxic Femininity and Hidden Mythical Motifs
The theater expert, Adara Ryum, makes her appearance to talk about the dramatist Henrik
Ep 19 — Exposing the Secrets of Great Storytelling
What does it take to convince the audience — heartfelt inspiration or calculated deception?
Ep 16 — Nic Thurman on the Memorosa Group,
Why did Edvard Munch bow to Art after successfully emulating the techniques of the
Ep 13 — Sebastian Salvo on Composition, the Early
What are the objective rules of figurative, narrative painting, and was originality a concern
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