Conversations | The Cave of Apelles
Which Painting Mediums to Use, Pros of Walnut Oil and How to
The Conservator Method: Minimal Varnish on Your Oil Painting for Maximum Preservation
Alexander Blechinger on Foundational Rules of Music, his Atomblitz-Ouvertüre and Harmonia Classica
The Folk Tales of Brothers Grimm: Not for Children! | Boris Koller
Shaun Roberts Begins and “Destroys” a Rough, Adrian Brouwer-like Self-Portrait at Nerdrum’s
The Flaying of Marsyas by Titian | Greatest Painting of All Time?
David Molesky on Apelles, Pliny and the Superiority of the Rough Painting
Öde Nerdrum Paints a Portrait of a Woman on a Red Ground
“Art” or “Kitsch” as a Name for Classical Culture? | Jan-Ove Tuv
Öde Nerdrum Paints a Portrait of a Woman on a Red Ground
Why you should Stop Using Linseed Oil for Painting and Transition to
Why Human Beings Primarily see the World through the Poetic Lens |
German Color Theory of 19th Century Romantic Landscape Painting | Demonstration by
What Constitutes Good Landscape Painting? | Boris Koller & Jan-Ove Tuv
Three Stages of Painting | a Dialogue between Odd Nerdrum and Jan-Ove
Honoring our Ancestors and Building a Positive Alternative by Regarding History as

    • Apelles was asked why he touched and retouched his pictures with so much care, to which he replied:
    "I paint for eternity"

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In cooperation with Herland Report and World Wide Kitsch