Conversations | The Cave of Apelles
Portrait Demonstration in Oil by Cheng Wu
The Genius, Museum and Art vs Craft: Reading Larry Shiner’s The Invention
Everything Starts With the Columns | Architect Nils Freckeus on Beauty and
The Æsir, Vanir & Jötnar | Bronze Age Blending, War and Trade
The Extended Apelles Palette | Core and Additional Colors, “Palette Hygiene” and
Sebastian Salvo Applies the First Layer of the Portrait of Gloria Bedoire
Kaja Norum on Beauty, Sentimentality and the Pleasure of Imitation
Fine Art’s Expulsion of Craft and Sensuality: Reading Larry Shiner’s “The Invention
Belief in Progress: Blessing or Curse to Classical Painters? | Nerdrum, Hicks
The Necessity of Contour Line in Painting to Achieve a Credible Form
The Art of Fiction | Using Ayn Rand’s Ideas to Become a
Kaja Norum Draws a Male Nude from the Back in Graphite
The Flame | Sebastian Salvo on “Impersonal” Storytelling and the Challenges of
Making Dystopia: James Stevens Curl Exposes Totalitarian Modernism and the Falsification of
How to Make Cheap Double-Sided Sketch Paper for Oil with Animal Skin
Painting the Human Story | Guided Tour of Sebastian Salvo’s Exhibition EXODOS

    • Apelles was asked why he touched and retouched his pictures with so much care, to which he replied:
    "I paint for eternity"

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