Conversations | The Cave of Apelles
Single or Whole Beat? | Wim Winters Uncovers how Beethoven has been
Painting a Two-Figure Composition with Sebastian Salvo
Vitruvius, Vernacularity & Two Horses’ Asses: How Exquisite Architecture is Always Based
Imitating John Constable & Lars Hertervig for a Landscape Painting | Sebastian
Hjalmar Hagelstam on Odd Nerdrum, Rembrandt, Florence Academy and the Failure of
How to Enlarge and Restretch Canvas on New Stretcher Bars
Understanding the Gearing of Modernism: Vasily Kandinsky’s Manifesto “On the Spiritual in
Eric Norin on how the Architecture Uprising Movement is Changing the Political
How to paint a Summer Landscape without Blue & Green Pigments |
How to Prepare Toned Paper Drawings like Odd Nerdrum
Aristotle’s Ethics for Painters: How an Impersonal Relation to the World Keeps
The “Open Period” Test: Walnut VS Linseed Oil as the Ultimate Painting
Shaun Roberts on Teaching Painting, Qualities of Remington & Brouwer and Studying
Cleaning and Storing Brushes to Increase their Lifespan and a Safe Way
Is Figurative Painting Coming Back or are we Trapped in Modernism? |
Which Painting Mediums to Use, Pros of Walnut Oil and How to

    • Apelles was asked why he touched and retouched his pictures with so much care, to which he replied:
    "I paint for eternity"

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