Conversations | The Cave of Apelles
What Constitutes Good Landscape Painting? | Boris Koller & Jan-Ove Tuv
Three Stages of Painting | a Dialogue between Odd Nerdrum and Jan-Ove
Honoring our Ancestors and Building a Positive Alternative by Regarding History as
The Bacchanal of the Andrians by Titian | Analysis by Jan-Ove Tuv
How the Kitsch Questionnaire Helps Kitschmen and Artists Clarify their Values
Painting a Portrait from Live Model in One Hour | Demonstration by
Michael Diamant on the Classical Architecture Takeover and the Utter Stupidity of
Composing a Narrative Self-portrait Painting (2/2) | Demonstration by Melisa Calabria
A World Beyond Past and Future: Odd Nerdrum’s Hopeful and Soothing Vision
The Leonardo of Landscape Painting: Lars Hertervig and the Rejuvenation in Primal
Melisa Calabria on Studying with Ricardo Celma, Odd Nerdrum and Painting Narrative
Composing a Narrative Self-portrait Painting (Pt. 1) | Demonstration by Melisa Calabria
The Painting “Memorosa” by Odd Nerdrum | Analysis by Jan-Ove Tuv
The Mysterious Portrait by Nicolai Gogol | A Wicked Story about the
How to make your own Paint from Old Bricks and Charcoal |
The Great Gatsby by Scott Fitzgerald | Recreating the Past in a

    • Apelles was asked why he touched and retouched his pictures with so much care, to which he replied:
    "I paint for eternity"

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In cooperation with Herland Report and World Wide Kitsch