Jung’s Collective Unconscious, Participation in Eternity and Becoming a Whole Man | The Cave of Apelles

Jung’s Collective Unconscious, Participation in Eternity and Becoming a Whole Man

Öde Nerdrum, Jan-Ove Tuv & Sebastian Salvo sit down to discuss Carl Jung’s idea about the collective unconscious.

Topics in this episode include:

  • Art is collective consciousness, kitsch is collective unconsciousness
  • Translating the unconscious, making the archetypes understandable
  • Jung reintroduced spirituality, but in scientific language
  • Modern man divided between science and belief — politics fills the gap.
  • Opposition between Jung’s individualism and collective unconscious?
  • Not an island unto oneself but learning from all cultures and all times
  • Save the Cat! and why we only have a handful of stories
  • Protestantism and art as iconoclast movements
  • Rejecting collective unconscious robs the castle of its defense
  • Becoming a whole man through “re-ligion”
  • The superficiality of Art’s claim to archetypal content
  • On Persephone and Demeter and Beauty and the Beast
  • Cindarella & Peter Pan: Many characters are aspects of one person
  • The Anima and the Animus: Have men lost more than women?
  • The reward of performing “the persona”
  • Daphne and Apollo» VS theater and the Dionysian mysteries
  • Little Red Riding Hood: Understanding, not knowing the story
  • The genuine laughter in Rembrandt’s “Self-Portrait as Zeuxis”

 

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The conversation was produced by Bork S. Nerdrum and assisted by Alastair Blain.
The centerpiece was a 19th century reproduction of G. F. Watts’ Hope.

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  • Apelles was asked why he touched and retouched his pictures with so much care, to which he replied:
    "I paint for eternity"